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The Economic, Social, and Cultural Impact of the COVID-19 Pandemic on Independent Arts Workers in the United Kingdom: Freelancers in the Dark, Survey Data, 2020-2021
Creator
Harris, L, University of Southampton
FitzGibbon, A, Queen's University Belfast
Edelman, J, Manchester Metropolitan University
Study number / PID
856883 (UKDA)
10.5255/UKDA-SN-856883 (DOI)
Data access
Restricted
Series
Not available
Abstract
This dataset pertains to a research project investigating the social, cultural, and economic consequences of COVID19 on independent arts workers, specifically in the theatre sector, across England, Scotland, Wales, and Northern Ireland. The project recognised the unique vulnerability of this workforce in dealing with the impact of COVID19. Their workplaces closed overnight and their sector transformed as theatres moved to digital delivery, and their employment status (freelance) made them ineligible for the UK government’s Coronavirus Job Retention Scheme. The motivation of the project was to understand: the employment experiences of this workforce during the first 18 months of the pandemic; how the pandemic affected their planning for the future; how the pandemic changed their creative practices and skills; what impact government and sectoral policy had on the workforce; and to find strategies for government and industry to support this precarious workforce.
This data collection includes survey responses (n=397) to an online survey which ran from 23/11/2020 to 19/03/2021, and a database of policy events covering the period from the onset of the pandemic until 27/5/2022 (n=1353). This collection contains the survey data. The survey was run through the JISC surveys platform. It had 34 questions collecting a mixture of qualitative and quantitative data. Freeform text responses were alternated with multiple choice, multi-option and Likert scale. The survey captured data on theatre freelancers employment, emotional, and cultural experiences, the region(s) and setting(s) where they worked, and their age, gender identity, race, occupation(s).COVID-19 threatens the performing arts; closures of theatres and outlawing of public gatherings have proven financially devastating to the industry across the United Kingdom and, indeed, the world. The pandemic has sparked a wide range of industry-led strategies designed to alleviate financial consequences and improve audience...
Terminology used is generally based on DDI controlled vocabularies: Time Method, Analysis Unit, Sampling Procedure and Mode of Collection, available at CESSDA Vocabulary Service.
Methodology
Data collection period
23/11/2020 - 27/05/2022
Country
United Kingdom
Time dimension
Not available
Analysis unit
Individual
Universe
Not available
Sampling procedure
Not available
Kind of data
Numeric
Text
Data collection mode
Survey data was collected using an online survey platform, JISC surveys, which included an in-built consent form. The survey had 34 questions, captured qualitative and quantitative data, and focussed on the everyday experiences and future planning of the target population. The population studied were individuals working in the UK theatre sector whose working life existed outside of formal payrolled employment. Scant baseline data made it difficult to predict the size and shape of this workforce. We used a snowball sampling technique and relied on gatekeeper organisations to distribute the survey. For demographic groups whose respondence rates were falling short of our expert expectations we targeted gatekeeper organisations for these specific demographic groups. The survey closed with 397 responses in March 2021.
Funding information
Grant number
ES/V011103/1
Access
Publisher
UK Data Service
Publication year
2024
Terms of data access
The Data Collection is available for download to users registered with the UK Data Service.