Summary information

Study title

Festival Barometer 2020

Creator

Kinnunen, Maarit (University of Lapland. Lapland Institute for Tourism Research) - 0000-0003-0337-7850

Study number / PID

FSD3693 (FSD)

urn:nbn:fi:fsd:T-FSD3693 (URN)

10.60686/t-fsd3693 (DOI)

Data access

Restricted

Series

Festival Barometers

The Festival Barometer was collected for the first time in 2014. The barometer was preceded by a survey that was targeted at the visitors of small festivals in 2013. The Festival Barometer series is collected in a collaboration between festival operators and Finnish universities under the leadership of Maarit Kinnunen. The series is a longitudinal study, which means that data from the same respondent can be combined between data from different years. The Festival Barometers examine the experiences of visitors at music festivals (excluding classical music festivals). The surveys chart...

Read more

Abstract

The festival barometer aims to collect information on Finnish festival visitors and the changes that occur in their taste in music and festivals over the years. In 2020, questions related to the COVID-19 pandemic were also included. The data includes three open-ended questions, with answers that are also suitable for qualitative analysis. LiveFIN ry, Lapland Institute for Tourism Research, the Sibelius Academy at the University of the Arts and the participating festivals were involved in the implementation of the survey. At the beginning of the questionnaire, the respondent selects the festival to which their answers to the first part of the questionnaire relates. The respondent must have attended the festival in question in 2019 or before. In relation to this selected festival, the respondent was asked about his/her satisfaction with the festival and asked to assess its impact on the host city. The next question asked how much money the respondent spent on and off the festival site. In the more general part of the survey, respondents were asked to rate Finnish festivals by different aspects. For example, the question asked what would make the respondent attend festivals more often. Further, the respondents were asked about issues important to the festival experience, such as performers and programming, food and beverage services, the festival area and the values of festivals. Price-related factors were examined by asking, among other things, how much different products or services should cost. Next, respondents were asked about their likelihood of attending festivals in future years, followed by an open-ended question on the reasons why attendance was considered unlikely. The survey also examined the respondents' favourite music styles, their relationship with music and which festival they find most interesting in Finland. Finally, statements were made about the impact of the corona pandemic and an open-ended question about how the pandemic has affected the...
Read more

Methodology

Data collection period

08/10/2020 - 15/11/2020

Country

Finland

Time dimension

Longitudinal: Cohort/Event-based

Analysis unit

Individual

Universe

Visitors of 22 target festivals: Blockfest, Flow Festival, Himos Juhannus, Ilosaarirock, Kuopiorock, LPRHC Fest, Nummirock, Pori Jazz, Porispere, Provinssi, Qstock, Rockfest, Rockfestari Naamat, Ruisrock, Sideways, Solar Sound Festival, Suomipop Festival Oulu, Suomipop Festival Jyväskylä, Tammerfest, Tikkurila Festival, Tuska and Wanaja Festival.

Sampling procedure

Non-probability: Availability

Kind of data

Quantitative

Data collection mode

Self-administered questionnaire: Web-based (CAWI)

Funding information

Funder

The Finnish Music Foundation (MES)

Access

Publisher

Finnish Social Science Data Archive

Publication year

2024

Terms of data access

The dataset is (D) available only by permission from the data depositor/creator.