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Ethnic Inequalities in Cultural Production, 2018-2020
Creator
Byrne, B, University of Manchester
Ali, R, University of Manchester
Study number / PID
855722 (UKDA)
10.5255/UKDA-SN-855722 (DOI)
Data access
Restricted
Series
Not available
Abstract
Examining institutions in the cultural sector (particularly in the TV industry), this project sought to ask the following questions:
• What is the nature of ethnic minority experience in these organisations and how have issues of equality and diversity been addressed in institutional policies and content production?
• What is meant by ‘representation’ in cultural institutions and cultural production?
• How do institutions attract and engage with ethnic minority audiences?
The deposited data includes interviews with those working in factual TV production, mostly within an anonymised independent tv company in the North West of the UK, but some from wider sourcesUnderstandings of ethnic inequalities in the UK have developed substantially as a result of the work of The Centre on Dynamics of Ethnicity (CoDE). CoDE has successfully carried out an innovative programme of research, pursued challenging scientific objectives, and worked closely with a range of non-academic partners to impact on policy debates and development.
In a rapidly evolving political and policy context, we propose a further, ambitious programme of work that takes us in new directions with a distinct focus. We will move beyond nuanced description to understanding processes and causes of ethnic inequalities, and build directly on our established experience in interdisciplinary and mixed methods working. In addition, we will use a co-production approach, working with a range of partners, including key public institutions such as the BBC, universities, political parties, ethnic minority NGOs, activists, and individuals, in order to frame and carry out our research in ways that will maximise our societal impact and lead to meaningful change. Our overarching objectives are to:
-Understand how ethnic inequalities develop in a range of interconnected domains
-Examine how these processes relate to and are shaped by other social categories, such as gender, class, religion and generation
-Understand how...
Terminology used is generally based on DDI controlled vocabularies: Time Method, Analysis Unit, Sampling Procedure and Mode of Collection, available at CESSDA Vocabulary Service.
Methodology
Data collection period
01/04/2018 - 01/04/2020
Country
United Kingdom
Time dimension
Not available
Analysis unit
Individual
Organization
Universe
Not available
Sampling procedure
Not available
Kind of data
Text
Data collection mode
Qualitative semi-structured interviews, with full consent and anonymisation.Interviews were conducted with individuals working for a small factual TV production company about their experience of working in the industry and their experience of attempts to increase diversity within the industry. The sample was purpositively selected - we initially spoke to the director and employees of the factual TV production company - selected because they had a demonstrated awareness of questions of inequality in the industry and a stated desire to address them. We spoke to employees at a range of levels and who were involved in different aspects of the company. From there, we expanded slightly through a snowballing method to speak to others working in the TV industry.
Funding information
Grant number
ES/R009341/1
Access
Publisher
UK Data Service
Publication year
2022
Terms of data access
The Data Collection is available for download to users registered with the UK Data Service.