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The Economic, Social, and Cultural Impact of the COVID-19 Pandemic on Independent Arts Workers in the United Kingdom: Freelancers in the Dark, Policy Timeline, 2019-2022
Creator
FitzGibbon, A, Queen's University Belfast
Harris, L, University of Southampton
Study number / PID
857056 (UKDA)
10.5255/UKDA-SN-857056 (DOI)
Data access
Open
Series
Not available
Abstract
The policy timeline was developed as a dataset for the Freelancers in the Dark Project by Ali FitzGibbon and Laura Harris with support from Alexandra Young. Using public statements, media coverage and online reporting, it marks dates of relevance to the experience of theatre freelancers between January 2020 (when certain early reporting of COVID-19 began to emerge) and March 2022, the 2 year anniversary of the UK outbreak and lockdowns and end of the research project. The timeline was published using the open-source tool developed by knight lab. An early version was published in June 2021 and contributions invited. The final version was completed on 28 June 2022. Events are labelled according to their place of relevance: UK, England, Wales, Scotland, Northern Ireland or Global. The raw dataset (in MS Excel) can be filtered to support searches for particular changes to guidance, key campaigns from freelancers, trade unions, etc.COVID-19 threatens the performing arts; closures of theatres and outlawing of public gatherings have proven financially devastating to the industry across the United Kingdom and, indeed, the world. The pandemic has sparked a wide range of industry-led strategies designed to alleviate financial consequences and improve audience capture amidst social distancing. COVID-19 has affected all levels of the sector but poses an existential threat to freelancers--Independent Arts Workers (IAWs)--who make up 60% of industry workforce in the UK (EU Labour Force Survey 2017). The crisis has put a spotlight on the vulnerable working conditions, economic sustainability, mental wellbeing, and community support networks of IAWs. IAWs are often overlooked by the industry and researchers, however it is their very precarity that makes them pioneers of adaptability responsible for key innovation within the sector. IAWs may prove essential for the industry's regrowth post-COVID-19. An investigation is necessary into the impact of COVID-19 on IAWs and the...
Terminology used is generally based on DDI controlled vocabularies: Time Method, Analysis Unit, Sampling Procedure and Mode of Collection, available at CESSDA Vocabulary Service.
Methodology
Data collection period
27/07/2020 - 28/06/2022
Country
United Kingdom
Time dimension
Not available
Analysis unit
Other
Universe
Not available
Sampling procedure
Not available
Kind of data
Text
Data collection mode
The dataset captured 1,343 time-stamped ‘policy events’. It was initially the researchers’ attempt to keep track ‘in the moment’ of government announcements and freelancers’ responses (through collectivised movements and formal bodies). Its initial release invited crowd-sourced contributions. Following this, the researchers evolved it as a formal dataset for the study, collating public announcements, blogs and media reports spanning the time-period (March 2020 – March 2022). We identified a ‘policy event’ as an ‘agenda-setting’ instance within the time-period (Birkland, 2007), traceable by public statements or actions by governments, public bodies, formal and informal pressure groups (such as trade unions) that affected or related to our target participants, theatre freelancers.
Funding information
Grant number
ES/V011103/1
Access
Publisher
UK Data Service
Publication year
2024
Terms of data access
The Data Collection is available to any user without the requirement for registration for download/access.