Topic
Search topics
Keywords
Hedendaagse kunst
Collection years
Country
Search countries
Publisher
Search publishers
Interview Wijo Koek over Grenzeloze Inhoud (video)
Interview with Wijo Koek about his artwork Meanwhile from 1983. The artwork is part of a series of 12 artworks made by 12 different artists for a travelling exhibition called Grenzeloze Inhoud. In this interview the meaning, the current condition and the desired state of the artwork are discussed.
Interview Eva Gonggrijp on Grenzeloze Inhoud
Michael Gibbs took part in the project "Traveling exhibition" in 1983. He decided to perforate the suitcase designed by John den Besten with bullets. Unfortunately, the artist passed away in 2007. This interview is with Eva Gonggrijp, his widow. She describes in more detail the philosophy behind Michael Gibbs' art.
Interview Wijo Koek over Grenzeloze Inhoud (audio)
Interview with Wijo Koek about his artwork Meanwhile from 1983. The artwork is part of a series of 12 artworks made by 12 different artists for a travelling exhibition called Grenzeloze Inhoud. In this interview the meaning, the current condition and the desired state of the artwork are discussed.
Interview Flavio Pons on Grenzeloze Inhoud
Visual artist Flavio Pons provides information regarding his artwork "Voyage a l'�tranger", which was part of the traveling exhibition Grenzeloze Inhoud of the Nederlandse Kunststichting in 1983. It comprised 12 artworks in total, each framed in a similar transparent suitcase, and is now part of the collection of the Cultural Heritage Agency of the Netherlands. Research into...
Interview Monique Laros on Roel QoQo and Grenzeloze Inhoud
Roel QoQo took part in the project "Traveling exhibition" in 1983. He decided to include a Walkman with headphones and a self-portrait in the suitcase designed by John den Besten. Unfortunately, the artist passed away in 2016. This interview is with Monique Laros, his widow. She describes in more detail Roel QoQo's art.
Interview John den Besten on Grenzeloze Inhoud (video)
This interview with John den Besten is in reference to his design and execution of the suitcases used in Grenzeloze Inhoud, a traveling exhibition of a set of 12 artworks created by different artists. Through this interview, it is hoped that the purpose, process of planning, exhibition, and reception of the artworks during the 1980s can be better understood and provide...
Interview with Angelique and Liesbeth Raeven about Annelies, looking for completion.
Interview with artist duo L.A. Raven about the meanings, values and desired artistic effects of Annelies, looking for completion.
Interview Folkert de Jong (video)
This interview with Folkert de Jong is in reference to his general artistic practice. Through this interview, carried out in the context of University of Amsterdam's Master's in Conservation and Restoration of Cultural Heritage, specialization Contemporary Art, the conceptual choices for the artist's materials is presented and several issues regarding longevity are being...
Interview Folkert de Jong (audio)
This interview with Folkert de Jong is in reference to his general artistic practice. Through this interview, carried out in the context of University of Amsterdam's Master's in Conservation and Restoration of Cultural Heritage, specialization Contemporary Art, the conceptual choices for the artist's materials is presented and several issues regarding longevity are being...
Interview Klaus Boegel on Grenzeloze Inhoud
This interview with Klaus Peter Boegel is in reference to his design and execution of the suitcases used in Grenzeloze Inhoud - an installation of a set of 12 artworks created by different artists. Through this interview, it is hoped that the purpose, process of planning, exhibition, and reception of the artworks during the 1980s can be better understood and provide insight...
Interview met Sjoerd Buisman over groeisculpturen (video), Amsterdam, 25 november 2008
Kunstenaarsinterview met Sjoerd Buisman over de conserveringsproblematiek van zijn groeisculptuur Dennenwal (1985) op de Hoge Veluwe in beheer bij het Kröller-Müller Museum. Aan bod komen onder meer het ontstaan het werk, onderhoud, de samenwerking met David Nash en verschillende opdrachtgevers. Daarnaast de rol van de locatie, documentatie, verhouding cultuur–natuur en...